1848

The real masterpiece, among these early works by Risi, is certainly 1848 . Made to order for the centenary of the Milan uprising against Austrian rule, the film opens with a group of soldiers apathetically attending the dress rehearsal for a ballet at La Scala. Who knows if Visconti remembered it for the opening of Senso at the Fenice in Venice – when he certainly had in mind a little film directed by Corrado D’Errico in 1941, La Compagnia della teppa , in which a group insurgents use a Rossini premiere at La Scala to launch leaflets against the Napoleonic occupation.